1989 – 150 years of Patek Philippe. What does Philippe Stern do ? Casually drops one of, if not the most gorgeous Patek Philippe minute repeaters of all time, no biggie.
Over the past year we’ve seen some very important 3974 pieces come up at auction, a yellow gold black dial, Breguet numerals with a Calatrava cross at 12 o’clock, a Rose gold with ruby indices and Breguet 12, 3974P black dial Breguet numerals – and just now at Philipps another Rose gold with a grey sunburst dial and Breguet numerals.
These pieces are extremely rare, if not unique, but the reference in it of itself is already a unicorn.
Released whilst Philippe Stern was at the helm of the brand, the 3974 perfectly fits within the collection of the time. Just try to picture walking into the Patek Philippe store in 1989 and seeing on display a 3940, a 3970, and a 3974… (keep in mind in 1989 3970 production was in the second series).
Not only is the aesthetic of the 3974 spot on, but the sound of the repeater is magnificently amplified by the work of master casemaker Mr. Jean-Pierre Hagmann. Mr Hagmann went on to design many of Patek Philippe’s most gorgeous cases, the ref. 5016 hamburger case, the ref. 3979 and ref. 3939, inspired by the all-time great ref. 2524 – the first serially produced minute repeater.
Minute repeaters are a tricky complication for watchmakers, not only is the movement a little stubborn to set – but if your case is badly made, your repeater can sound awful (not naming the evident independent xylophone sounding repeater). Many purists say Rose gold repeaters are the best sounding, of course, minute differences between different coloured gold exist, but what is clear and undisputable, is that gold sounds better than platinum. This is why, to me, when buying a repeater, the ultimate (for those wanting a discrete steel look alike) is white gold.
Here is an estimated case production breakdown of the production quantities on the ref. 3974 according to Tortella & Sons.